Proceedings of the 2nd International Conference on Creative Multimedia 2022 (ICCM 2022)

A Critical Review on the Use of Montage Technique in Film and Television

Authors
Wan Xiang1, Vimala Perumal1, *, Tse Kian Neo1
1Faculty of Creative Multimedia, Multimedia University, Cyberjaya, Malaysia
*Corresponding author. Email: vimala.perumal@mmu.edu.my
Corresponding Author
Vimala Perumal
Available Online 24 December 2022.
DOI
10.2991/978-2-494069-57-2_25How to use a DOI?
Keywords
Montage; Film; Television; Montage Technique
Abstract

Montage is one of the most basic and important aspects of film and television medium and it comprises the ability to edit and rearrange images and shots to create a story. Montage combines shots and juxtaposes images to tell a story or an impression or even illustrate an association of ideas to the viewer. Using montage, film and television editors can cut and fit each individual shot accordingly to the montage theory in aid of the director’s vision. However, dividing the types of montage theory is technically more complicated and needs a deeper understanding for film studies. This paper critically reviews a journal article written by Xiaoshu Li, titled, Research on the Montage Technique in The Film and Television to find the partiality in the montage theories.

Copyright
© 2023 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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Volume Title
Proceedings of the 2nd International Conference on Creative Multimedia 2022 (ICCM 2022)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
24 December 2022
ISBN
10.2991/978-2-494069-57-2_25
ISSN
2352-5398
DOI
10.2991/978-2-494069-57-2_25How to use a DOI?
Copyright
© 2023 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

TY  - CONF
AU  - Wan Xiang
AU  - Vimala Perumal
AU  - Tse Kian Neo
PY  - 2022
DA  - 2022/12/24
TI  - A Critical Review on the Use of Montage Technique in Film and Television
BT  - Proceedings of the 2nd International Conference on Creative Multimedia 2022 (ICCM 2022)
PB  - Atlantis Press
SP  - 235
EP  - 242
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-494069-57-2_25
DO  - 10.2991/978-2-494069-57-2_25
ID  - Xiang2022
ER  -