Proceedings of the 2015 2nd International Conference on Education, Language, Art and Intercultural Communication

The Application of Chinese Traditional Culture in the Animation Scene Design

Authors
Lina Shang
Corresponding Author
Lina Shang
Available Online November 2015.
DOI
https://doi.org/10.2991/icelaic-15.2016.131How to use a DOI?
Keywords
China; traditional culture; scene design; application
Abstract
As a kind of visual art, the animation scene design is not only the development background of the story, but also the reflection of the animation characters and the visual expression of story line with the development of time. Therefore, the animated films with national cultural connotation are able to be favored and admired by the world audiences. We can make full use of Chinese traditional culture elements, such as ink painting, paper cutting, Chinese opera, shadow puppet and Chinese architecture, in producing animated films. We can make full use of traditional decorative patterns in its scene creation. For example, Lingxiao Hall in "Havoc in Heaven" has imitated the traditional Chinese architectural form; the shadow puppet animation of “Peach Garden” has used shadow puppet, Chinese painting, paper cutting, bold freehand brushwork and other traditional cultural elements.
Open Access
This is an open access article distributed under the CC BY-NC license.

Download article (PDF)

Cite this article

TY  - CONF
AU  - Lina Shang
PY  - 2015/11
DA  - 2015/11
TI  - The Application of Chinese Traditional Culture in the Animation Scene Design
BT  - 2015 2nd International Conference on Education, Language, Art and Intercultural Communication (ICELAIC-15)
PB  - Atlantis Press
SP  - 511
EP  - 514
SN  - 2352-5398
UR  - https://doi.org/10.2991/icelaic-15.2016.131
DO  - https://doi.org/10.2991/icelaic-15.2016.131
ID  - Shang2015/11
ER  -