On Unpretentious Aesthetic of Eastern and Western Painting Colors
- Juan Huangfu
- Corresponding Author
- Juan Huangfu
Available Online November 2015.
- https://doi.org/10.2991/icelaic-15.2016.135How to use a DOI?
- unpretentiousness; oil painting's color; ink painting's language power; recovering original purity and simplicity
- The color language, as a significant element in painting, enjoys strong art expressive force and produces an effect to evoke emotional resonance instantly. The color application of the western painting shares the same expressive way with the subject and simple color pursuit of Chinese traditional ink painting. Artists from both western countries and China are exploring the infinity from the limited colors. The unpretentious color language is characteristic of unpretentiousness, gentleness, reserve and imagination which are similar with ink's features. Since the similarity, the unpretentious color language keeps a foothold in the Chinese painters' palette and greatly matches with Chinese spiritual imagination's color. In this art age of chasing fame and fortune, it is the unpretentious color language that modern artistic works need to draw on and inherit. We need to review the color expression in modern eastern and western paintings, explore the infinity from the limited colors and develop our creative practice.
- Open Access
- This is an open access article distributed under the CC BY-NC license.
Cite this article
TY - CONF AU - Juan Huangfu PY - 2015/11 DA - 2015/11 TI - On Unpretentious Aesthetic of Eastern and Western Painting Colors BT - 2015 2nd International Conference on Education, Language, Art and Intercultural Communication (ICELAIC-15) PB - Atlantis Press SN - 2352-5398 UR - https://doi.org/10.2991/icelaic-15.2016.135 DO - https://doi.org/10.2991/icelaic-15.2016.135 ID - Huangfu2015/11 ER -