Genre Specificity of S. I. Taneyev's "Oresteia" Trilogy
- 10.2991/icelaic-16.2017.93How to use a DOI?
- history of music; genre; Russian opera; S. I. Taneyev; tragedy
The article reveals the originality of Sergei Taneyev's approach to tragedy. S. Taneyev treats opera as an oratorical performance with the features of mystery. The author of the article shows the organic fitting of an oratorical component with both the choral component of the Aeschylus' source work and a monumental cantata-like style of the Russian opera and Russian choral culture in S. Taneyev's "Oresteia".
- © 2017, the Authors. Published by Atlantis Press.
- Open Access
- This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).
Cite this article
TY - CONF AU - Galima Lukina PY - 2016/12 DA - 2016/12 TI - Genre Specificity of S. I. Taneyev's "Oresteia" Trilogy BT - Proceedings of the 2016 3rd International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2016) PB - Atlantis Press SP - 395 EP - 399 SN - 2352-5398 UR - https://doi.org/10.2991/icelaic-16.2017.93 DO - 10.2991/icelaic-16.2017.93 ID - Lukina2016/12 ER -