Proceedings of the 2016 3rd International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2016)

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Genre Specificity of S. I. Taneyev's "Oresteia" Trilogy

Authors
Galima Lukina
Corresponding Author
Galima Lukina
Available Online December 2016.
DOI
10.2991/icelaic-16.2017.93How to use a DOI?
Keywords
history of music; genre; Russian opera; S. I. Taneyev; tragedy
Abstract

The article reveals the originality of Sergei Taneyev's approach to tragedy. S. Taneyev treats opera as an oratorical performance with the features of mystery. The author of the article shows the organic fitting of an oratorical component with both the choral component of the Aeschylus' source work and a monumental cantata-like style of the Russian opera and Russian choral culture in S. Taneyev's "Oresteia".

Copyright
© 2017, the Authors. Published by Atlantis Press.
Open Access
This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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Volume Title
Proceedings of the 2016 3rd International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2016)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
December 2016
ISBN
978-94-6252-292-3
ISSN
2352-5398
DOI
10.2991/icelaic-16.2017.93How to use a DOI?
Copyright
© 2017, the Authors. Published by Atlantis Press.
Open Access
This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

Cite this article

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TY  - CONF
AU  - Galima Lukina
PY  - 2016/12
DA  - 2016/12
TI  - Genre Specificity of S. I. Taneyev's "Oresteia" Trilogy
BT  - Proceedings of the 2016 3rd International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2016)
PB  - Atlantis Press
SP  - 395
EP  - 399
SN  - 2352-5398
UR  - https://doi.org/10.2991/icelaic-16.2017.93
DO  - 10.2991/icelaic-16.2017.93
ID  - Lukina2016/12
ER  -