Proceedings of the 5th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2018)

The Formation of the Professional Vocal Education in China Regarding the Russian Musicians’ Contribution

Authors
Wang Kaidi
Corresponding Author
Wang Kaidi
Available Online December 2018.
DOI
https://doi.org/10.2991/icelaic-18.2018.10How to use a DOI?
Keywords
professional vocal education; European system; Russian musicians; teachers; opera; Tchaikovsky
Abstract
The article is devoted to the creation of professional vocal education in China. The dotted line outlines the main stages in the development of vocal education in the ancient times. The main attention is paid to the establishing of the European style of professional vocal education. This emphasizes that Russian musicians and teachers played an important role in this process. It is noted that the first opera house opening in Harbin allowed the educated Chinese society to get acquainted with the achievements of European, as well as Russian operas. This states that according to the program of Russian pre-revolutionary conservatories in the 20s three music schools worked in Harbin, including higher school of music named after Glazunov. It is said about the first performances on the Chinese stage of Tchaikovsky's operas "The Queen of spades" and "Eugene Onegin", performed under the leadership of the Russian musicians.
Open Access
This is an open access article distributed under the CC BY-NC license.

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Cite this article

TY  - CONF
AU  - Wang Kaidi
PY  - 2018/12
DA  - 2018/12
TI  - The Formation of the Professional Vocal Education in China Regarding the Russian Musicians’ Contribution
BT  - 5th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2018)
PB  - Atlantis Press
SN  - 2352-5398
UR  - https://doi.org/10.2991/icelaic-18.2018.10
DO  - https://doi.org/10.2991/icelaic-18.2018.10
ID  - Kaidi2018/12
ER  -