Research on Traditional Chinese Freehand Paper-cut
- https://doi.org/10.2991/icesem-18.2018.15How to use a DOI?
- Freehand; Paper-cut; Concept; Vector
“Things are me, and I am the things” is the universe view theory that human is an integral part of nature or the identity of objects and self. It determines that Confucianism and Taoism have become the basis of philosophy and aesthetics in Chinese traditional art, and form a unique freehand artistic style. Paper-cut is not only an ancient Chinese traditional folk art but also one of the most popular folk art in China. As an art form, Chinese folk paper-cut is the cultural carrier of Chinese primitive philosophy, which is manifested in all aspects of folk culture. When the freehand artistic style is applied in the process of creating paper-cut artwork, it demonstrates the ultra-space-time art forms in the three aspects: conceptual composition, conceptual shapes, and conceptual colors, and arbitrary decoration is used to emphasize endless vitality of life. This art is a veritable freehand paper-cut with arbitrary expression, rich cultural connotation and strong visual impact.
- © 2018, the Authors. Published by Atlantis Press.
- Open Access
- This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).
Cite this article
TY - CONF AU - Jinsong Yu AU - Shengli Chen PY - 2018/08 DA - 2018/08 TI - Research on Traditional Chinese Freehand Paper-cut BT - Proceedings of the 2018 2nd International Conference on Education Science and Economic Management (ICESEM 2018) PB - Atlantis Press SP - 64 EP - 67 SN - 2352-5398 UR - https://doi.org/10.2991/icesem-18.2018.15 DO - https://doi.org/10.2991/icesem-18.2018.15 ID - Yu2018/08 ER -