Studies of the National Subjectivity of Chinese Films: History, Status quo and Multi-dimensional Construction

DOI

10.2991/icesem-18.2018.251How to use a DOI?

Keywords

Chinese Film School; Subjectivity; Cultural genes; The Chinese styles; The Chinese spirits

Abstract

Starting from the studies of nationalization of Chinese films, the studies of the national subjectivity of Chinese films have become the hotspot and frontier of the current academic research in China since the success of the International Symposium of Chinese Films and National Subjectivity in 2007. Based on the history and status quo of national subjectivity research, this paper puts forward the strategies of constructing the subjectivity of Chinese films from the perspectives of inheriting the Chinese cultural genes, promoting Chinese style and highlighting Chinese spirits.

Copyright

© 2018, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Xianxi Zhang
PY  - 2018/08
DA  - 2018/08
TI  - Studies of the National Subjectivity of Chinese Films: History, Status quo and Multi-dimensional Construction
BT  - Proceedings of the 2018 2nd International Conference on Education Science and Economic Management (ICESEM 2018)
PB  - Atlantis Press
SP  - 1074
EP  - 1076
SN  - 2352-5398
UR  - https://doi.org/10.2991/icesem-18.2018.251
DO  - 10.2991/icesem-18.2018.251
ID  - Zhang2018/08
ER  -