Cultural Background and Philosophical Connotation of Chinese Landscape Painting
- Shunxing Cao, Liyun Kong
- Corresponding Author
- Shunxing Cao
Available Online November 2014.
- https://doi.org/10.2991/icetss-14.2014.21How to use a DOI?
- Chinese landscape painting, cultural background, philosophical connotation
- As an important category of Chinese painting, Chinese landscape painting reveals cultural background and philosophical connotation peculiar to China through description with Chinese ink painting, i.e. the traditional Confucian ideology and culture of “syncretism between heaven and man” and the ideological connotation of nature worship in Taoist school. Therefore, the author discusses origin and development status of Chinese landscape painting in this paper, states philosophical connotation of Chinese landscape painting according to thoughts of Chinese traditional culture, and points that Chinese landscape painting is deeply influenced by Confucian, Taoist and Buddhist thoughts and cultures, and that Chinese landscape painting gradually becomes a cultural and artistic type with Chinese characteristics.
- Open Access
- This is an open access article distributed under the CC BY-NC license.
Cite this article
TY - CONF AU - Shunxing Cao AU - Liyun Kong PY - 2014/11 DA - 2014/11 TI - Cultural Background and Philosophical Connotation of Chinese Landscape Painting BT - 2014 International Conference on Education Technology and Social Science PB - Atlantis Press SN - 2352-5398 UR - https://doi.org/10.2991/icetss-14.2014.21 DO - https://doi.org/10.2991/icetss-14.2014.21 ID - Cao2014/11 ER -