Proceedings of the 2014 International Conference on Education Technology and Social Science

Cultural Background and Philosophical Connotation of Chinese Landscape Painting

Authors
Shunxing Cao, Liyun Kong
Corresponding Author
Shunxing Cao
Available Online November 2014.
DOI
https://doi.org/10.2991/icetss-14.2014.21How to use a DOI?
Keywords
Chinese landscape painting, cultural background, philosophical connotation
Abstract
As an important category of Chinese painting, Chinese landscape painting reveals cultural background and philosophical connotation peculiar to China through description with Chinese ink painting, i.e. the traditional Confucian ideology and culture of “syncretism between heaven and man” and the ideological connotation of nature worship in Taoist school. Therefore, the author discusses origin and development status of Chinese landscape painting in this paper, states philosophical connotation of Chinese landscape painting according to thoughts of Chinese traditional culture, and points that Chinese landscape painting is deeply influenced by Confucian, Taoist and Buddhist thoughts and cultures, and that Chinese landscape painting gradually becomes a cultural and artistic type with Chinese characteristics.
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Proceedings
2014 International Conference on Education Technology and Social Science
Part of series
Advances in Social Science, Education and Humanities Research
Publication Date
November 2014
ISBN
978-94-62520-40-0
DOI
https://doi.org/10.2991/icetss-14.2014.21How to use a DOI?
Open Access
This is an open access article distributed under the CC BY-NC license.

Cite this article

TY  - CONF
AU  - Shunxing Cao
AU  - Liyun Kong
PY  - 2014/11
DA  - 2014/11
TI  - Cultural Background and Philosophical Connotation of Chinese Landscape Painting
BT  - 2014 International Conference on Education Technology and Social Science
PB  - Atlantis Press
UR  - https://doi.org/10.2991/icetss-14.2014.21
DO  - https://doi.org/10.2991/icetss-14.2014.21
ID  - Cao2014/11
ER  -