Proceedings of the Tenth International Conference on Languages and Arts (ICLA 2021)

Salendang Dance Galombang Version as a Welcome Dance in the Mandeh Tourism Area

Authors
Nerosti1, *
1Sendratasik Department, Faculty of Language and Art, Universitas Negeri Padang, Padang, Indonesia
*Corresponding author. Email: nerosti@fbs.unp.ac.id
Corresponding Author
Nerosti
Available Online 30 November 2021.
DOI
10.2991/assehr.k.211129.033How to use a DOI?
Keywords
Salendang dance Galombang version; tourism performing arts; choreography and Puti- puti’s descent
Abstract

This article is the result of research (2021) which aims to develop the choreography of the Salendang Dance in the form of Galombang to be performed in the Mandeh tourist area. The method used by Research & Development (R&D) according to Borg and Gall (2003) is to conduct preliminary research, planning, development to be carried out, testing, revising works and perfecting choreography. The development of choreography refers to Maquet’s theory (1976) naming the form of tourism packaging as art with metamorphosis or art that has undergone a change in form, or acculturation art, or pseudo traditional art, or tourism art. Art that has not been packaged is called art by destination. The Wimsatt diagram (Soedarsono 1999) states that tourism performances are a balance between traditional arts and the tourism industry, with the following criteria: imitation of the original, short and concise, full of variations from the original event, and if sold at a low price. Based on the results of the first year’s research, it produced Salendang Dance products in the form of performances on stage. The second year produced the Salendang Dance in the form of a Galombang. This dance has been tested in Muaro Bantieng, Mandeh Region. 10 dancers and 3 people who carry betel nut danced using a scarf in a two-line formation lining the back. Continue forward to meet the tourists who stand in front of them. The dance package includes various aspects of movement, music, costumes, and make-up in accordance with the aesthetic concept of tourism, which still refers to the original dance form as a symbol of the Puti-puti Tarusan lineage. This new style is worth showing off to tourists.

Copyright
© 2021 The Authors. Published by Atlantis Press SARL.
Open Access
This is an open access article under the CC BY-NC license.

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Volume Title
Proceedings of the Tenth International Conference on Languages and Arts (ICLA 2021)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
30 November 2021
ISBN
10.2991/assehr.k.211129.033
ISSN
2352-5398
DOI
10.2991/assehr.k.211129.033How to use a DOI?
Copyright
© 2021 The Authors. Published by Atlantis Press SARL.
Open Access
This is an open access article under the CC BY-NC license.

Cite this article

TY  - CONF
AU  - Nerosti
PY  - 2021
DA  - 2021/11/30
TI  - Salendang Dance Galombang Version as a Welcome Dance in the Mandeh Tourism Area
BT  - Proceedings of the Tenth International Conference on Languages and Arts (ICLA 2021)
PB  - Atlantis Press
SP  - 213
EP  - 218
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.211129.033
DO  - 10.2991/assehr.k.211129.033
ID  - 2021
ER  -