Proceedings of the 2021 3rd International Conference on Literature, Art and Human Development (ICLAHD 2021)

The Fate of Real Women Reflected by the Film New Women

Authors
Weiru Zhao1, *
1Zhoushan High School International department, Zhoushan, Zhejiang Province, China, 316021
*Corresponding author. Email: ananzhao0403@gmail.com
Corresponding Author
Weiru Zhao
Available Online 29 November 2021.
DOI
10.2991/assehr.k.211120.117How to use a DOI?
Keywords
New Women; Left wing; Female Independence; Reality
Abstract

The New Woman is a left-wing film in 1930s that calls for women’s independence. This paper analyzes three typical women with different ideal pursuits in the film and then reflects on a social phenomenon revealed by the film. It concludes that under the influence of left-wing thought, there appeared some initial enlightenment independent women of different classes. But turbulent society and deep-rooted gender prejudices make the new women’s path to independence even harder.

Copyright
© 2021 The Authors. Published by Atlantis Press SARL.
Open Access
This is an open access article under the CC BY-NC license.

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Volume Title
Proceedings of the 2021 3rd International Conference on Literature, Art and Human Development (ICLAHD 2021)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
29 November 2021
ISBN
10.2991/assehr.k.211120.117
ISSN
2352-5398
DOI
10.2991/assehr.k.211120.117How to use a DOI?
Copyright
© 2021 The Authors. Published by Atlantis Press SARL.
Open Access
This is an open access article under the CC BY-NC license.

Cite this article

TY  - CONF
AU  - Weiru Zhao
PY  - 2021
DA  - 2021/11/29
TI  - The Fate of Real Women Reflected by the Film New Women
BT  - Proceedings of the 2021 3rd International Conference on Literature, Art and Human Development (ICLAHD 2021)
PB  - Atlantis Press
SP  - 634
EP  - 637
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.211120.117
DO  - 10.2991/assehr.k.211120.117
ID  - Zhao2021
ER  -