Proceedings of the 2022 4th International Conference on Literature, Art and Human Development (ICLAHD 2022)

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The Embodiment and Thinking of “Identity” in Shooting Records

Authors
Haowen Guan1, *
1Macau University of Science and Technology, Macau, China
*Corresponding author. Email: guanhaowen@outlook.com
Corresponding Author
Haowen Guan
Available Online 13 February 2023.
DOI
10.2991/978-2-494069-97-8_78How to use a DOI?
Keywords
youth subculture; identity; stage photography; livehouse
Abstract

Youth subculture is a kind of time-varying cultural expression form. On the one hand, youth subculture is closely linked with the development of the times, promoting cultural innovation to a certain extent, enriching cultural forms, and making certain contributions to the development of the entertainment industry. On the other hand, from a negative perspective, the youth subculture may excessively pursue attention in the process of creating visual images, which leads to the weakening of the subject's discrimination ability. Moreover, if people indulge in watching the visual images of youth subculture, it is easy to have serious psychological losses. In addition, some unhealthy visual images in youth subculture may affect the construction of positive social culture.

This paper takes a live music stage photography by the researcher as an example to explore the specific process of the image construction of rock fans by using the method of text analysis. Reflecting on the negative influence of the visual image of youth subculture in urban space and giving full play to the positive influence of the visual image of youth subculture in urban space is the guarantee to promote the healthy and sound development of the visual image of youth subculture in urban space. The results of this study show that people should improve their visual literacy, the subcultural youth should adhere to the creative attitude of being born for beauty, and should increase their interaction with urban space. At the same time, media reports should be inclusive and warm, and should clarify the social responsibility and status of subcultural youth in the new era.

Copyright
© 2023 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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Volume Title
Proceedings of the 2022 4th International Conference on Literature, Art and Human Development (ICLAHD 2022)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
13 February 2023
ISBN
10.2991/978-2-494069-97-8_78
ISSN
2352-5398
DOI
10.2991/978-2-494069-97-8_78How to use a DOI?
Copyright
© 2023 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

risenwbib
TY  - CONF
AU  - Haowen Guan
PY  - 2023
DA  - 2023/02/13
TI  - The Embodiment and Thinking of “Identity” in Shooting Records
BT  - Proceedings of the 2022 4th International Conference on Literature, Art and Human Development (ICLAHD 2022)
PB  - Atlantis Press
SP  - 613
EP  - 621
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-494069-97-8_78
DO  - 10.2991/978-2-494069-97-8_78
ID  - Guan2023
ER  -