Proceedings of the 2023 5th International Conference on Literature, Art and Human Development (ICLAHD 2023)

Writing on the Edge: Richard Flanagan’s “Australian-ness” and the National Imagination

Authors
Yuqi Qiu1, *
1College of Literature, Shaanxi Normal University, Xi’an, 710119, China
*Corresponding author. Email: adqiuyuqi@163.com
Corresponding Author
Yuqi Qiu
Available Online 31 December 2023.
DOI
10.2991/978-2-38476-170-8_63How to use a DOI?
Keywords
Richard Flanagan; marginal writing; Australian-ness; integration
Abstract

As a multi-ethnic and multi-cultural settler society separated from the British Empire, in the evolution of mainstream national imagination and cultural identity in Australia, there has always been a monocultural identity with “Britishness” as the core. Its essence is a colonial white identity that does not create a sense of belonging for all Australians. As a writer who grew up in Tasmania, Richard Flanagan used Tasmania as the starting point for the cultural fusion in Australia. He wrote three novels, Death of a River Guide, The Sound of One Hand Clapping and Gould’s Book of Fish, which highlight the identity struggles faced by marginalized groups such as Aboriginal and non-Anglo-Saxon immigrants that have been previously overlooked. Flanagan questioned the legitimacy of the white identity with British imperialism, criticized the self-colonization within Australia, and criticized the single cultural identity of Australian society. Flanagan wanted to use literature to reshape the Australian national imagination and build a sense of belonging for Australians. The writer pointed out that Australia was “generated” from a multi-ethnic mixed culture, and its fundamental future lies in integration. Flanagan’s “integration” concept is based on the premise of “love and generosity”, which enables different ethnic groups to coexist equally in Australia, “Love, generosity, integration” together form the core of Flanagan’s “Australian-ness”.

Copyright
© 2023 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Download article (PDF)

Volume Title
Proceedings of the 2023 5th International Conference on Literature, Art and Human Development (ICLAHD 2023)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
31 December 2023
ISBN
10.2991/978-2-38476-170-8_63
ISSN
2352-5398
DOI
10.2991/978-2-38476-170-8_63How to use a DOI?
Copyright
© 2023 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

TY  - CONF
AU  - Yuqi Qiu
PY  - 2023
DA  - 2023/12/31
TI  - Writing on the Edge: Richard Flanagan’s “Australian-ness” and the National Imagination
BT  - Proceedings of the  2023 5th International Conference on Literature, Art and Human Development (ICLAHD 2023)
PB  - Atlantis Press
SP  - 568
EP  - 578
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-170-8_63
DO  - 10.2991/978-2-38476-170-8_63
ID  - Qiu2023
ER  -