Proceedings of the International Conference on Business, Economic, Social Science and Humanities (ICOBEST 2018)

Semiotic Analysis of Space and Time in The Film "Time Machine"

Authors
Wantoro Wantoro
Corresponding Author
Wantoro Wantoro
Available Online November 2018.
DOI
https://doi.org/10.2991/icobest-18.2018.78How to use a DOI?
Keywords
Semiotic, Space, Time, Film, Machine
Abstract
Time Machine is a science-fiction film produced in 2002, which is an adaptation of the same novel titled HG Wells written in 1895. Time Machine film tells of a scientist, and inventor named Alexander Hartdegen living in Manhattan, New York who is determined to prove that time travel is something that is possible to do. The determination to make the journey across time itself is caused by the despair of the past personal tragedy that prompted him to change the past. Through testing a number of theories ultimately Hartdegen found the time machine and can travel time began to return to his past until gliding into the next 800,000 years and find new reality and new realities that are much different from his time. In this research, the writer will review and analyze Time Machine film through semiotic method, especially Space and Time Semiotics. In the application, the author will select some scenes in the film to be analyzed. This research is important to do as an effort to know the existence of space and time as a marker and marker in a film work.
Open Access
This is an open access article distributed under the CC BY-NC license.

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Cite this article

TY  - CONF
AU  - Wantoro Wantoro
PY  - 2018/11
DA  - 2018/11
TI  - Semiotic Analysis of Space and Time in The Film "Time Machine"
BT  - Proceedings of the International Conference on Business, Economic, Social Science and Humanities (ICOBEST 2018)
PB  - Atlantis Press
SP  - 354
EP  - 359
SN  - 2352-5398
UR  - https://doi.org/10.2991/icobest-18.2018.78
DO  - https://doi.org/10.2991/icobest-18.2018.78
ID  - Wantoro2018/11
ER  -