Proceedings of the 2021 International Conference on Public Art and Human Development ( ICPAHD 2021)

Lin Fengmian’s Portrait of a Lady: The Influence of Western Art and the Reformation of Chinese Tradition

Authors
Enyu Cui*
AP Program, Guangdong Experimental High School, Guangzhou, Guangdong, China
*Corresponding author. Email: 20140543@stu.nun.edu.cn
Corresponding Author
Enyu Cui
Available Online 28 January 2022.
DOI
10.2991/assehr.k.220110.160How to use a DOI?
Keywords
Lin Fengmian; The Portrait of a Lady; drawing style
Abstract

From the late 19th century to the early 20th century, many artists appeared along with Shanghai. Some learned paintings in China while were studying abroad, like in Paris or Japan. All these artists want to mix Chinese traditional objects with Western painting techniques well. By using a bright color, Lin Fengmian might be the representative artist of it. Later in his life, he was more willing to paint the Portrait of the Woman, and also, there are rarely some findings of the subject matter in the image. Many other objects can be painted, like landscape or still-life. It is deserved to discuss why he chose to paint the Portrait of the Lady. To begin with, for the landscape paintings, the objects in the picture, like mountains, trees, and tiny houses, are not close enough to investigate, while the lady sits face to face with the audience. Also, it was just using the western drawing techniques Lin learned from France to build up the scenario, which is very common to see in traditional Chinese paintings. Little distance between the observer and the object can focus on the light, texture of clothing, and hairstyle. A closer look, audiences can recognize the influence of the different schools of painting from his description. This article will get a closer look at the picture to get a complete idea about the objects in it and the influence he accepted, even about the reformation of the Chinese drawing style.

Copyright
© 2022 The Authors. Published by Atlantis Press SARL.
Open Access
This is an open access article under the CC BY-NC license.

Download article (PDF)

Volume Title
Proceedings of the 2021 International Conference on Public Art and Human Development ( ICPAHD 2021)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
28 January 2022
ISBN
10.2991/assehr.k.220110.160
ISSN
2352-5398
DOI
10.2991/assehr.k.220110.160How to use a DOI?
Copyright
© 2022 The Authors. Published by Atlantis Press SARL.
Open Access
This is an open access article under the CC BY-NC license.

Cite this article

TY  - CONF
AU  - Enyu Cui
PY  - 2022
DA  - 2022/01/28
TI  - Lin Fengmian’s Portrait of a Lady: The Influence of Western Art and the Reformation of Chinese Tradition
BT  - Proceedings of the 2021 International Conference on Public Art and Human Development ( ICPAHD 2021)
PB  - Atlantis Press
SP  - 849
EP  - 852
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.220110.160
DO  - 10.2991/assehr.k.220110.160
ID  - Cui2022
ER  -