Proceedings of the International Conference on Science and Education and Technology 2018 (ISET 2018)

The Violations of Cooperative Principle as The Creativity Of Humour In Banjar Madihin Art

Authors
Siti Faridah, Mr Rustono, Agus Nuryatin, Hari Bakti Mardikantoro
Corresponding Author
Siti Faridah
Available Online September 2018.
DOI
https://doi.org/10.2991/iset-18.2018.89How to use a DOI?
Keywords
maxims of cooperative principle, madihin art, humour creativity
Abstract

Madihin art is one of the oral literatures in Banjarmasin, Indonesia. It is performed alongside humour that can be used as a way of communication. The purpose of this study was to find out the violations of the cooperative principle in Banjar madihin art by identifying the violations of conversational maxims. It employed descriptive qualitative method. Meanwhile, the research data consisted of ten videos of Banjar madihin art performances chosen randomly either the date or location of performances and downloaded from Youtube from February 2017 until December 2017. The data collection of those videos was done by the methods of recording, relating and note-taking. Further, the collected data were analysed using normative method. The results showed that the violations of cooperative principle, namely 6 violations of the maxim of quantity or 17%, 8 maxim of quality violations or 23%, 11 violations of the maxim of relevance or 31% and 10 violations of the maxim of manner or 29%. It showed that the highest rank of the maxim violation was the maxim of relevance violations. Moreover, there were found irrelevant, unclear, disorderly and ambiguous speeches in accordance with the matter discussed. They are intended a means of creativity of humour. Madihin art is one of the oral literatures in Banjarmasin, Indonesia. It is performed alongside humour that can be used as a way of communication. The purpose of this study was to find out the violations of the cooperative principle in Banjar madihin art by identifying the violations of conversational maxims. It employed descriptive qualitative method. Meanwhile, the research data consisted of ten videos of Banjar madihin art performances chosen randomly either the date or location of performances and downloaded from Youtube from February 2017 until December 2017. The data collection of those videos was done by the methods of recording, relating and note-taking. Further, the collected data were analysed using normative method. The results showed that the violations of cooperative principle, namely 6 violations of the maxim of quantity or 17%, 8 maxim of quality violations or 23%, 11 violations of the maxim of relevance or 31% and 10 violations of the maxim of manner or 29%. It showed that the highest rank of the maxim violation was the maxim of relevance violations. Moreover, there were found irrelevant, unclear, disorderly and ambiguous speeches in accordance with the matter discussed. They are intended a means of creativity of humour. Madihin art is one of the oral literatures in Banjarmasin, Indonesia. It is performed alongside humour that can be used as a way of communication. The purpose of this study was to find out the violations of the cooperative principle in Banjar madihin art by identifying the violations of conversational maxims. It employed descriptive qualitative method. Meanwhile, the research data consisted of ten videos of Banjar madihin art performances chosen randomly either the date or location of performances and downloaded from Youtube from February 2017 until December 2017. The data collection of those videos was done by the methods of recording, relating and note-taking. Further, the collected data were analysed using normative method. The results showed that the violations of cooperative principle, namely 6 violations of the maxim of quantity or 17%, 8 maxim of quality violations or 23%, 11 violations of the maxim of relevance or 31% and 10 violations of the maxim of manner or 29%. It showed that the highest rank of the maxim violation was the maxim of relevance violations. Moreover, there were found irrelevant, unclear, disorderly and ambiguous speeches in accordance with the matter discussed. They are intended a means of creativity of humour.

Copyright
© 2018, the Authors. Published by Atlantis Press.
Open Access
This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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Volume Title
Proceedings of the International Conference on Science and Education and Technology 2018 (ISET 2018)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
September 2018
ISBN
978-94-6252-648-8
ISSN
2352-5398
DOI
https://doi.org/10.2991/iset-18.2018.89How to use a DOI?
Copyright
© 2018, the Authors. Published by Atlantis Press.
Open Access
This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

Cite this article

TY  - CONF
AU  - Siti Faridah
AU  - Mr Rustono
AU  - Agus Nuryatin
AU  - Hari Bakti Mardikantoro
PY  - 2018/09
DA  - 2018/09
TI  - The Violations of Cooperative Principle as The Creativity Of Humour In Banjar Madihin Art
BT  - Proceedings of the International Conference on Science and Education and Technology 2018 (ISET 2018)
PB  - Atlantis Press
SP  - 443
EP  - 449
SN  - 2352-5398
UR  - https://doi.org/10.2991/iset-18.2018.89
DO  - https://doi.org/10.2991/iset-18.2018.89
ID  - Faridah2018/09
ER  -