“Revolutionary Realism and Romanticism”: Representing the Ballet The Red Detachment of Women (1971)
Available Online January 2016.
- 10.2991/hss-26.2016.69How to use a DOI?
- Model work, Revolutionary realism and romanticism, Three prominences, Zoom lens.
This paper takes the well-known model work, the ballet The Red Detachment of Women (1971) as a case study to analyze this ballet in relation to the following issues: harmonic music language “Revolutionary Realism and Romanticism”, Three Prominences (San tuchu), the relationship between music and image via the use of zoom lens, and so forth. It also examines how the traditional Chinese and European musical-dramatic elements are fitted into a framework of functional harmony reminiscent of the musical idiom of Western romantic music.
- © 2016, the Authors. Published by Atlantis Press.
- Open Access
- This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).
Cite this article
TY - CONF AU - Di Liu PY - 2016/01 DA - 2016/01 TI - “Revolutionary Realism and Romanticism”: Representing the Ballet The Red Detachment of Women (1971) BT - Proceedings of the 2016 International Conference on Humanities and Social Science PB - Atlantis Press SP - 415 EP - 420 SN - 2352-5398 UR - https://doi.org/10.2991/hss-26.2016.69 DO - 10.2991/hss-26.2016.69 ID - Liu2016/01 ER -