The Union of Three Muses: Literature, Сhoreography, Music in Russia's Ballet Productions in the Second Half of the 20th — Early 21st Centuries

DOI

10.2991/icadce-18.2018.4How to use a DOI?

Keywords

literature; choreography; music; ballet performances; mastery of choreographers; great Russian literature; integration of various types of art

Abstract

The article deals with the issues of deep interrelation of fiction, choreography, music, which is vividly and distinctly embodied in ballet performances of Russia of the 20th – beginning of the 21st centuries. Fidelity to the traditions of classics and the courage of creative searches of artists have always distinguished the true masters of art. The ballet reveals the Russian world, created by our great literature, music. Creation of our choreographers not only and not so much "translate" works of fiction to the vocabulary of the ballet. They retain a deep philosophical meaning, ideas, thoughts of word artists. Literature, choreography, music in their forms cognize and transform the world, merging in a special synthetism traditional and innovative, implement the process of integrating various types of art.

Copyright

© 2018, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Liudmila Mikheeva
AU  - Magda Dzhichonaia
PY  - 2018/07
DA  - 2018/07
TI  - The Union of Three Muses: Literature, Сhoreography, Music in Russia's Ballet Productions in the Second Half of the 20th — Early 21st Centuries
BT  - Proceedings of the 4th International Conference on Arts, Design and Contemporary Education (ICADCE 2018)
PB  - Atlantis Press
SP  - 13
EP  - 16
SN  - 2352-5398
UR  - https://doi.org/10.2991/icadce-18.2018.4
DO  - 10.2991/icadce-18.2018.4
ID  - Mikheeva2018/07
ER  -