Study on the Virtual and Real Processing of Spatial Performance in Joseon Dynasty’s Figure Paintings
- DOI
- 10.2991/icadce-18.2018.90How to use a DOI?
- Keywords
- spatial performance; Joseon Dynasty’s figure painting; virtualness and reality
- Abstract
The virtual and real performance treatment of Oriental painting has always been an important topic in the creation of Joseon Dynasty’s Figure Painting. The split-joint relation of virtualness and reality, the performance of strength and weakness not only has the importance of determining the style, but also it has its own variability. The virtual and reality echoed with each other, their combination and mutual birth will form a complex and changeable relationship. By dealing with the various relationships between the virtualness and reality, the rhythm of the ups and downs is formed in the paintings, showing a certain sense of rhythm. Of course, the formation of this sense of rhythm is closely related to the virtualness and reality processing of the physical spatial performance of Joseon Dynasty's Figure Painting, the virtualness and reality processing of color spatial performance, and the virtualness and reality processing methods of pen and ink spatial performance. To a certain extent it expresses the aesthetic concept of Yin-Yang in Joseon Dynast's Figure Paintings.
- Copyright
- © 2018, the Authors. Published by Atlantis Press.
- Open Access
- This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).
Cite this article
TY - CONF AU - Baoliang Xu PY - 2018/07 DA - 2018/07 TI - Study on the Virtual and Real Processing of Spatial Performance in Joseon Dynasty’s Figure Paintings BT - Proceedings of the 4th International Conference on Arts, Design and Contemporary Education (ICADCE 2018) PB - Atlantis Press SP - 427 EP - 432 SN - 2352-5398 UR - https://doi.org/10.2991/icadce-18.2018.90 DO - 10.2991/icadce-18.2018.90 ID - Xu2018/07 ER -