Proceedings of the 2022 3rd International Conference on Language, Art and Cultural Exchange(ICLACE 2022)

233 authors
Zeng, Yun Xia
A Study of Traditional Motifs in the Context of Digitalization
Zeng, Zhonglin
Policy, Family and Audience Experience: A Research on the Root Causes of the Unequal Status of Japanese Female Actors on the Kabuki Stage
Zhang, Boya
Social Media Promotion on Foreigner’s Love of Bing Dwen Dwen: A Case Study of Olympic Winter Games Beijing 2022 Mascot Marketing Success
Zhang, Lingyue
Intralingual Errors in Grammatical Aspects of Chinese University L2 Learners’ Compositions
Zhang, Lulu
Explore the Communication Theory under the Network Film Review
Zhang, Naifu
Computer Virus and Anti-Virus Technology
Zhang, Peng
Integration Research of Series Cultural Creation Based on Regional Features on Interactive Packaging Design -- Taking Luoyang Peony Crisp as an Example
Zhang, Qunjiaming
Research on the Classification and Artistic Value of the Guan Ge Style Tablets in Hancheng Museum
Zhang, Shuang
A Theoretical and Practical Research Based on the Teaching of Russian Translation Majors
Zhang, Wanqi
Oppressed Women’s Voices and Female Writing in Sylvia Plath’s “Tulips” and “Daddy”
Zhang, Wenjun
Audiobooks in the Post-pandemic Era
Zhang, Xinwen
An Analysis of Postmodern Narrative Film Technique in Annie Hall
Zhang, Xueyi
Research on Internet Nicknames from the Perspective of Sociolinguistics
Zhang, Yao
Study on Planning Design for the Driven Development of Cultural Gene Attributes of Exhibition Halls in Village Museums
Zhang, Yue
Review of English Pronoun Acquisition by Chinese Learners from the Perspective of Transfer
Zhang, Yuhan
Sexual Subversion
Zhang, Zehui
Oppressed Women’s Voices and Female Writing in Sylvia Plath’s “Tulips” and “Daddy”
Zhang, ZhengYu
Talk about the Artistic Value of Musical Performance and its Application in Life
Zhang, Zhiming
Review of the Incidental Second Language Acquisition of Subtitles in Video Products
Zhang, Ziting
Review of English Pronoun Acquisition by Chinese Learners from the Perspective of Transfer
Zhao, Siya
Artists and Muses: Identity and Self-Recognition in Portrait of a Lady on Fire and Blue is the Warmest Color
Zhao, Yitong
Implicit Media Anomie of News Entertainment Oriented: A Social Media Content Study on Jiang Ge Case
Zhao, Yuyan
An Analysis of Communicative Language Teaching Approach Based on the International Researches
Zheng, Angela
The Continuous Positive Trend Away From Son Preference in China
Zheng, Zexia
Study on Students’ Willingness to Participate in Voluntary Service of Emergency Language
Zhong, Xintong
Fans Creation in the Development of New Media Technology: The perspective of the Participatory Culture
Zhou, Mengxiao
Intralingual Errors in Grammatical Aspects of Chinese University L2 Learners’ Compositions
Zhou, Yixuan
Tumors in the Crevices of Metropolis
Zhou, Zhixin
How Language to Make Advantage of Body Movements to Configure the State Meaning and Result Meaning
Zhu, Peixi
I Am What I Am: Construction and Expression of Chinese “Romance” in Animated Movies
Zhu, Yuting
Patriarchy and a Disciplined Woman
Zou, Yueling
Representation of Women, Representation of Nation: Qipao, Liberation and Identity
peng, Han
Evaluation of Qingdao Haiqing Tea Village Cultural Tourism Brand Building Based on Tourist Satisfaction