A Study on the Aesthetic Value and Innovation of Zhoushan Dialect Folk Songs
- DOI
- 10.2991/icpcs-19.2019.81How to use a DOI?
- Keywords
- Wu dialect, aesthetics, folk songs, innovation
- Abstract
From time immemorial, the south of the Yangtze is renowned as the land of fish and rice. Moreover, the language popularly spoke at this area, Wu dialect, featuring with primitive, elegant and exquisite, has a long history of culture. Based on Wu dialect, folk songs in the south of the Yangtze play a crucial role in the family of Chinese folk songs. As one branch of Wu dialect folk songs, traditional Zhoushan folk songs own extraordinarily distinctive characteristics, with Zhoushan fishermen’s songs and work chanty as their typical representatives. Contemporarily, during the protection, inheritance, and promotion of these precious intangible cultural heritage, it would be a favorable way to grasp the essence of folk songs in the south of the Yangtze, bring the Wu dialect’s superiority into full play, and re-create as an elegant art.
- Copyright
- © 2019, the Authors. Published by Atlantis Press.
- Open Access
- This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).
Cite this article
TY - CONF AU - Fangzhi Tao PY - 2019/05 DA - 2019/05 TI - A Study on the Aesthetic Value and Innovation of Zhoushan Dialect Folk Songs BT - Proceedings of the 2019 International Conference on Pedagogy, Communication and Sociology (ICPCS 2019) PB - Atlantis Press SP - 367 EP - 370 SN - 2352-5398 UR - https://doi.org/10.2991/icpcs-19.2019.81 DO - 10.2991/icpcs-19.2019.81 ID - Tao2019/05 ER -