Proceedings of the 2022 International Conference on Comprehensive Art and Cultural Communication (CACC 2022)

Reinventing Chinese Legend in the Age of Global Hollywood

A Comparative Critique of the Cinematic Representations of Disney’s Mulan

Authors
Thomas Lianthomas_4672@163.com
Admiral Farragut Academy Dongguan
Corresponding Author
Available Online 14 May 2022.
DOI
https://doi.org/10.2991/assehr.k.220502.024How to use a DOI?
Keywords
Mulan; Disney; Remake; Transnational Cinema; Chinese Film Market
Abstract

In recent years, Disney has launched the production of a series of live-action princess films in an attempt to rejuvenate the popularity of this renowned animation franchise: one of Disney’s most ambitious remakes was the live-action version of Mulan, which was released worldwide in 2021 amidst the global pandemic. Although it was considered one of the most highly anticipated films of the year, Mulan failed to live up to the expectations of both Chinese and Western audiences. At the same time, disputes over the animated Mulan film reemerged and were soon intensified on the internet. Many have attributed the live-action film’s floundering box office performance to the inevitable cultural difference between China and the West. That said, this essay focuses on this distinct global cultural phenomenon, and analyzes controversies over the making of the two “Mulan films” from the aspects of aesthetics, spiritual core, and historical factors. As this essay observes, “Mulan” has been a cultural epitome of the transnational collaboration between China and the US across many levels since the late 20th century, and the two “Mulan films” are indicators of how Hollywood attempts to stimulate the Chinese film market.

Copyright
© 2022 The Authors. Published by Atlantis Press SARL.
Open Access
This is an open access article distributed under the CC BY-NC 4.0 license.

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Volume Title
Proceedings of the 2022 International Conference on Comprehensive Art and Cultural Communication (CACC 2022)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
14 May 2022
ISBN
978-94-6239-576-3
ISSN
2352-5398
DOI
https://doi.org/10.2991/assehr.k.220502.024How to use a DOI?
Copyright
© 2022 The Authors. Published by Atlantis Press SARL.
Open Access
This is an open access article distributed under the CC BY-NC 4.0 license.

Cite this article

TY  - CONF
AU  - Thomas Lian
PY  - 2022
DA  - 2022/05/14
TI  - Reinventing Chinese Legend in the Age of Global Hollywood
BT  - Proceedings of the 2022 International Conference on Comprehensive Art and Cultural Communication (CACC 2022)
PB  - Atlantis Press
SP  - 108
EP  - 113
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.220502.024
DO  - https://doi.org/10.2991/assehr.k.220502.024
ID  - Lian2022
ER  -