Curatorial Practice of Thematic Artistic Initiatives in Contemporary Music Festivals: A Case Study of Amber Quartet
- DOI
- 10.2991/978-94-6463-988-9_54How to use a DOI?
- Keywords
- Thematic Art Programming; Music Festival Curating; Amber String Quartet; Public Participation
- Abstract
Using the Amber String Quartet as a case study, this study explores the curatorial practice model of thematic art planning in contemporary music festivals. By analyzing the criteria for theme setting, curatorial framework construction and public participation mechanism, the study reveals the important role of thematic planning in cultural communication and art education. The study finds that successful thematic planning requires cultural relevance, artistic foresight and communication effectiveness, and through diversified curatorial modes and cross-media communication strategies, it can effectively enhance public art literacy and promote the socialized communication of elegant art, providing theoretical support and practical guidance for the sustainable development of contemporary music festivals.
- Copyright
- © 2026 The Author(s)
- Open Access
- Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.
Cite this article
TY - CONF AU - Liang Xu PY - 2026 DA - 2026/02/15 TI - Curatorial Practice of Thematic Artistic Initiatives in Contemporary Music Festivals: A Case Study of Amber Quartet BT - Proceedings of the 2025 5th International Conference on Education, Language and Art (ICELA 2025) PB - Atlantis Press SP - 493 EP - 498 SN - 2352-5398 UR - https://doi.org/10.2991/978-94-6463-988-9_54 DO - 10.2991/978-94-6463-988-9_54 ID - Xu2026 ER -